Then there were articles in the New York Times and LA Times. A glowing review in the Hollywood Reporter. And Sundance. The movie, then only called Push: Based on the Novel by Sapphire, walked away with the Grand Jury Prize for U.S. Dramatic Film, the Audience Award, and A Special Jury Prize for Acting (awarded to Mo'Nique).
Below is the synopsis in full, pulled directly from the folks at Sundance. But I warn you in advance, it does no justice. Instead, I suggest you simply watch the TRAILER by clicking here or by going to YouTube. And unless you are completely vapid and without soul or intellect, you'll be floored.
With sheer audacity and utter authenticity, director Lee Daniels tackles Push: Based on the Novel by Sapphire and creates an unforgettable film that sets a new standard for cinema of its kind. Precious Jones (Gabourey Sidibe) is a high-school girl with nothing working in her favor. She is pregnant with her father’s child—for the second time. She can’t read or write, and her schoolmates tease her for being fat. Her home life is a horror, ruled by a mother (Mo’Nique) who keeps her imprisoned both emotionally and physically. Precious’s instincts tell her one thing: if she’s ever going to break from the chains of ignorance, she will have to dig deeply into her own resources. Don’t be misled—Push is not a film wallowing in the stillness of depression; instead, it vibrates with the kind of energy derived only from anger and hope. The entire cast are amazing; they carry out a firestorm of raw emotion. Daniels has drawn from them inimitable performances that will rivet you to your seat and leave you too shocked to breathe. If you passed Precious on the street, you probably wouldn’t notice her. But when her story is revealed, as Daniels does in this courageous film, you are left with an indelible image of a young woman who—with creativity, humor, and ferocity—finds the strength to turn her life around.
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